Through the Eyes of Romania

Reading travel guides and information on Romania reveals its mountain peak glory and its stunning cobblestoned town squares, yet doesn’t properly prepare you for the real Romania. It doesn’t outlay the vast differences in the Romanian classes and the obvious struggle between eastern and western life. Neither does it really illustrate the traditional and picturesque coloured houses which dot the mountains, lush plentiful green pastures, the foggy mist lining the horizon, or a horse and cart which trot by. Nothing can equate to living and experiencing Romania at its core. Working as a journalist for Satul allowed me to research the Romanian country and its traditions but also enabled insight into real everyday lives. It was the people in Romania who welcomed me into their homes and shared their personal stories. Without their help and willingness to talk and share about the past, present and future of their country, such a magazine as Satul would not be possible. Before you delve into the latest edition of Satul I would like to acknowledge some of the passionate people I have met on my journey who propel and inspire the plight to keep true Romanian identity alive. Authentic Romanian traditions are living an evanescent existence in modern life. Whilst technology and consumerism infiltrates into society, often it is difficult to capture the essence of Romanian cherished customs. Luckily there are people such as Maria. During a travel journal trip to Pestera Village in the mountains of Romania I was privileged enough to meet and speak to an elderly lady called Maria. I questioned her about her sewing crafts and she warmly opened her doors for us to enter her home. The inside of Maria’s home was adorned with coloured carpets on every surface. They were embellished with intricate flowers and decorations and were sewn in rainbows of coloured thread. Set against her pale aqua walls, Maria’s talent and skill was a true picture of Romanian traditional craft. Maria’s creations are a symbol of Romania’s beautiful crafts and are evidence of the importance in keeping these traditions alive for the future. Additionally without the help and dedication of figures such Professor Sorin Apan the plight to preserve skills such as Maria’s would not be possible. Professor Sorin Apan is a passionate teacher and a powerful advocate for the education and recognition of past Romanian traditions and customs. He welcomed me into his classrooms, introduced me to his talented students and spent hours of his time informing me about the importance of traditional Romanian culture. Professor Apan runs the ‘Mini Satul Project’ where he educates students on a range of traditional Romanian activities and rituals through workshops, spanning from egg painting, sculpture, pottery and glass painting. Professor Apan’s success and influence is most evident through the dedication of his students and their enthusiasm in restoring and sustaining their country’s culture. Overall Ana Negru must be personally acknowledged for her creation of Satul Magazine. I know both rural Romanian tradition and culture lie close to her heart and she does an incredible job in expressing her passion to the public. Whilst Romania lies in the flux between east and west and is continuously advancing into a modern future, fortunately there is an abundance of people trying to keep Romania’s heritage and traditions alive. Passionate and talented people such as Maria, Professor Apan and Ana are an indication of the hope of preserving Romanian identity. With the continued work of inspiring people there will be assurance that Romania’s rich culture will continue and be cherished for future generations to come. by Natasha Potter